A Week in My Life: Ben Horrigan, Managing Director, Studio 91 Media

Ben Horrigan, Studio 91 Media

Ben Horrigan runs Studio 91 Media, the Manchester-based social video production agency driven by purpose and impact.

Studio 91 Media was founded in 2018 and is based on the manifesto of being good for people, good for platforms and good for the planet. This includes donating 1% of turnover to environmental causes, travelling as sustainably as possible, and aiming to make content which is “true, right and excellent”. 

Ben himself has experience producing a wide range of digital content over the last decade, working on programmes including BBC News and Blue Peter, and works at Studio 91 alongside the rest of his small team as well as a range of freelance creatives.

We found out how a week in his life looked.

 

Monday

The week starts with a cup of coffee and a few emails, then I’m off to film with a charity client at the glorious Manchester Cathedral.

Sometimes there’s a full crew, but this one’s just me. One man, operating two cameras, and – here’s the fun bit – I do the whole trip by pedal power. I load all our camera kit onto our e-cargo trike at my house in Cheadle Hulme, and off I go. Tiring shoot, I’m on my feet a lot – so a quick Snickers before cycling home is essential.

Once I’m home, I back up the footage, put the batteries on charge, and put my feet up.

Tuesday

An office day in central Manchester, starting with a belated ‘Monday catch-up’ with my team. I say ‘team’, but that’s a stretch; there’s only two of us full-time at the moment.

Jamie and I spend 10 minutes chatting about the week ahead, and 50 minutes talking about what’s going on in the Marvel Cinematic Universe.

More meetings are lined up today – one about an ongoing edit, one with a prospective new client, and one with a bee charity we’re supporting pro bono through 1% for the Planet. All three, sadly, through the medium of Zoom. Days since last accidental mute: Zero.

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Ben with ‘Babs’ – Studio 91’s three-wheeled cargo bike


Inevitably, it gets to 3pm and I realise I’ve not started the edit yet for yesterday’s shoot. It’s due on Thursday. Quick coffee, deep breaths, and here we go…

Wednesday

Another shoot, this time with both of us, and we’re on a farm! We’re here showcasing a client’s awesome company culture at one of their monthly ‘Community Days’.

We’re grabbing short interviews on the fly, as well as candid shots of the team helping out around the farm – which is actually a charity rather than a regular farm. Long story. At one point I end up filming the inside of an enormous oak tree.

Three things that make this a great day: Cute animals, lovely people, and a chance to work with Minnie. Oh, sorry, I forgot to mention – Minnie is our drone. We’re talking rolling countryside, perfect sunsets, aerial views of happy pigs, the works. Our mums think we basically play with toys for a living. Our mums are correct.

We wrap around 6pm after a long day. We’re down in Gloucestershire for this one, so it’s a long drive back and a late finish.

Thursday

A curveball – my three-year-old son is sent home from nursery with chickenpox. He’s happy, just very spotty.

He plays quietly by himself for an hour or so, and then I hear it. The devastating sound of a large box of Lego being poured out onto the kitchen floor, like a waterfall of tiny plastic. Oh well…I’ll deal with that later.

I need to get my head down on the edit from Monday’s shoot. I manage to get a first draft to the client by lunchtime, and pray they don’t need too many changes. While waiting for feedback, I deal with some emails and finish up a blog post: ‘Five tips for social video that works with the sound off’.

As usual with this sort of content, I remember that I’m a massive hypocrite who’s terrible at taking his own advice.

Friday

I’m working from home again, given the ongoing chickenpox situation. Friday starts with a catch-up with Jamie about where our various projects are at, and where we’re going to be next week.

Yesterday’s edit has been very well-received by the client, who has only asked for a couple of minor tweaks. Perfect – my kind of client.

I make the changes, add subtitles and finalise the video files. It’s rare that a piece of work gets filmed and delivered in the same week, because the feedback process can take time, but the nature of this project required a fast turnaround.

It’s been a long week with two hefty shoots, so we’ve wrapped things up by early afternoon. Time for a Peppa Pig session on the sofa with my boy – him nursing his spots, me nursing a cold can of Leffe.


ben_and_billy

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